Showing posts with label Sping Forum. Show all posts
Showing posts with label Sping Forum. Show all posts

Monday, June 7, 2010

Notes from Justine-Forum Rehearsal 6/3/10

Notes from Justine
Forum Rehearsal 6/3/10

Another Wednesday another Forum rehearsal! Once again we have two highly diverse plays. Yet it seemed to me that both center on victimized female heroines. Now I’d bet you good money that both playwrights would argue with that word “victimized” and for some very good reasons. So, why are they victimized? That question came up in both discussions (perhaps not in so many words). I wonder if I’ll find out the answer in two weeks.

Leap Year by Kate Marks, directed by Ariel Francoeur, Featuring Mark Gordon, Brianna Kalish, Laura Killeen & Stacy Ann Strang was sharp, clear, abstract, absurd, vague, precise and touching. In a word; Kate Marks. Ariel, Gretchen and I had a lively discussion about everything ranging from acting to sound cues to the effect of aging on the energy of the soul. Sounds complex doesn’t it? So is the play, and yet only 20 minutes long. Oh, I almost didn’t mention the crazy multimedia aspect. Seems a large portion of the play I saw (in rehearsal it was all done live) will be video projection! I think it’s going to be super cool. If any group can handle this kind of technical challenge, this is the one.


Jane's Room by Monet Hurst-Mendoza, directed by Rebecca Lewis-Whitson, Featuring Rosemary Brownlow, Juan Carlos Diaz, Lindsay Dunphy & Noreen O'Neill is possibly a period piece, possibly a ghost story, possibly an abstract discussion on women being trapped. Also sounds complex doesn’t it? This 50-minute piece by a newcomer to our Forum has the luck of starring not one but two of our acting interns this season! The team and I had a long discussion, which was still going full steam when we were ever so politely interrupted by Do These Jeans Make My Butt Look Massive? needing to rehearse. On my way out, I had the chance to say hello to members of the cast of week one having their dress rehearsal. Whew, another busy busy night at Looking Glass.


Assistant director Gretchen Ferris was super helpful throughout the evening. I’m so glad to have had the chance to work with her.

I’m very excited that this week I get to see one of the first fruits of these labors come to the stage. I’m attending week one of the Writer/Director Forum tonight!

Justine Lambert
Founding Artistic Director

Friday, May 28, 2010

Notes from Justine- Forum Rehearsal 5/26/10

Notes from Justine
Forum Rehearsal 5/26/10


The second week of the Writer/Director Forum could hardly be more different from week one. This evening consisting of two completely different pieces was a blast to watch in stumble-through mode last night. Technically both plays were surprisingly far along, with some costumes in place and a clear beginning of design elements such as light cues and sound already happening.

First I watched Do These Jeans Make My Butt Look Massive? by Donna Latham, directed by Jenn Womack, featuring Leigh Ann Heidelberg & Jenn Remke, a charming 10-minute slice of life. I almost feel that if I say very much about our post-rehearsal discussion I’ll give something away. Jenn, Morgan, Taryn and I had a lively discussion about relationship, acting choices and even music usage. Suffice it to say that we all understood each other and rehearsals for the next couple weeks should be lots of fun!



Next up was Othello by William Shakespeare, adapted and directed by Melody Erfani, featuring Charles Brice, Xiomara Cintron, Kay Capasso, Julia Falamas, Brandon Ferraro, Keith Hendershot, Amie Lytle, Sarah Miles, Cara Sanders & Yoko. Wow, this thing was really getting into shape with some super cool, post-apocalyptic costumes and tight choreography/concept blocking. Fun! That Shakespeare sure could cook up a hot mess, and this version maintains the super intense plot at less than half the original length. Oh, did I mention, Iago is a woman? Just in case the original wasn’t passionate enough for you. Isn’t that casting just so Looking Glass? Love it!




The two Assistant Directors Taryn Kimel and Morgan Anne Zipf were super helpful and they seemed fully tuned into both processes. I’m looking forward to getting to know their work better.

Can’t wait to see what brews in the next two weeks. This exciting evening opens on June 10!

Justine Lambert
Founding Artistic Director



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Monday, June 15, 2009

SPRING FORUM 2009- PRODUCTION BLOGS

FORUM BLOGSSPRING 2009 WRITER/DIRECTOR FORUM
A semi-annual festival of new works featuring women playwrights and directors
JUNE 4 -28

Another set of blogs about our upcoming Forum:

NOTES FROM WEEK THREE, June 18-21

Please Remove this Stuffed Animal From My Head by Crystal Jackson, directed by Rebecca Lewis-Whitson
Featuring Andrew Hargrove, Sergio LoDolce, Jack Payne and Rosanna Plasencia

Casina by Plautus, adapted & directed by Jacquelyn Honeybourne
Featuring Katherine Booze-Mooney, Lindy Flowers, Laura Harrison, Sarah Pullman, Hanlon Smith-Dorsey and Audrey Yeoman

WEEK THREE AD: Elizabeth Carlson

Casina rehearsals have been going splendidly! The actors are well off book, with some paraphrasing/ad-libbing exceptions that actually work better than some of the true lines (thank you Lysidamus). The show has been a collaboration between myself and our actors, so when these ad-libs work, we're all more than willing to make them permanent. Looking Glass acting intern Katie Booze-Mooney, who plays Olympio, has come up with several good moments of improv herself which are now integrated into the script. We're now in the home stretch and making smaller, perfectionist adjustments most of which have to do with cranking that “character amp” up to 11. We're finding slight and specific ways to hone in and fine tune. Chalinus has developed a habitual manly scratch which is hilarious and Pardalisca is developing an inappropriate laugh that's cracking everyone up. Also, together with the actress playing Cleostrata, we've perfected the quick switch from jealous /harpy/mad woman to loving/hurt wife. All in all it's wonderful and we laugh until it hurts. I hope we get an audience, or as our Player calls them "Good spectators, men and women," ready to chuckle.

- Jacquelyn Honeybourne, Director of CASINA


For more info and tickets go to our website; www.lookingglasstheatrenyc.com
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Wednesday, June 10, 2009

SPRING FORUM 2009- PRODUCTION BLOGS

FORUM BLOGS
SPRING 2009 WRITER/DIRECTOR FORUM
A semi-annual festival of new works featuring women playwrights and directorsJUNE 4 -28

Another set of blogs about our upcoming Forum:

NOTES FROM WEEK TWO, June 11-14

Canned Deux by Siobhan Antonioli, directed by Sara Moncivais

Featuring Cristina Lombardi and Laura Sorensen

The Reason Why I Lie by Chelsea Sutton, directed by Cristina Knustson
Featuring Ramesh Ganeshran, James Luster, Michelle Silvani and Kate Weinberg

Chasing Pavement written & directed by Krystal Osborne
Featuring Max Feist, Karen Green, Jeffery Howson, Lucia Mazzola, Victoria Scott and Brandon Wood

WEEK TWO AD: Alicia Mangelsdorf

I am a part of the upcoming production of Chasing Pavement. Up to this point, the rehearsal process has been very invigorating for me. The director is very encouraging of each actor making his/her own choices. In return, this experience has made me grow as an artist. It has taught me to trust my own instincts and those of my ensemble. I'm havinga wonderful time and am already dreading the close of the play. Not to mention; it has been one of the most welcoming cast of actors I've had the pleasure of working with!

-Victoria Scott, Ann in Chasing Pavement

For more info and tickets go to our website; www.lookingglasstheatrenyc.com
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Tuesday, May 26, 2009

SPRING FORUM 2009- PRODUCTION BLOGS

FORUM BLOGS

SPRING 2009 WRITER/DIRECTOR FORUM
A semi-annual festival of new works featuring women playwrights and directors
JUNE 4 -28

Another set of blogs about our upcoming Forum:

NOTES FROM WEEK FOUR, June 25-28

Potato Girl by Christine Rusch , directed by Amanda Thompson
Featuring Amie Lytle, Jim Staudt & Danielle Trzcinski

The Things She Kept by Aoise Stratford, directed by Fran Acuna
Featuring Emily Fortunato, Ashley Lovell & Meghan Powe

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Being in week four, we have really been able to take our time and experiment with different ideas during the beginning of our rehearsal process. We’ve been playing with a very stylized version of acting, and using music to underscore the entire piece, making it more dynamic.

Today we had a research focused rehearsal. We looked at images that related to our play to give us inspiration and ideas for movement and body shapes. We also read material that pertained to the play to give us an idea of how people in more rural areas of the country live.

I really love the group of people that I have been working with. They’re all eager to contribute during rehearsal and willing to try new and slightly more experimental things. We have been able to work very collaboratively, and I’m excited to see what comes out of this rehearsal process.

-Amanda Thompson, Director of Potato Girl
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So far we’ve had three rehearsals and the show has really changed since the first read -thru. We’ve played with music and creating pictures and have really explored the language and region in the play. For me the script was a bit hard to understand at first, but the more we go through it the more I learn and I love making discoveries with my fellow cast mates. I think the hardest part so far is scheduling because we all have such crazy lives. The solution: 9AM rehearsals!! It’s worth it though… :)

-Danielle Trzcinski, Spring 2009 Acting Intern, and Dorothy in Potato Girl
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Potato Girl has been a thrilling rehearsal process so far! It is amazing how much the story comes alive with every new exercise we have attempted under Amanda's guidance. We are working to depict the bleakness of the characters’ lives using music and montage while still pursuing honest connections between the characters. Everyone has been fabulous to work with and I am so grateful for the open dialogue between the director and actors in this project!

- Amie Lytle, Narcilla in Potato Girl
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As the AD/SM for Week Four, I am blessed to be stress free for the moment. It is nice to be able to take the time to iron out scheduling, find the perfect font for prop lists, and experiment with extreme styles in rehearsal. The directors, Fran and Amanda, are happy to answer my questions about their techniques and their motives for exercises. My focus is to extract as much knowledge from these two ladies as possible!

I’m realizing that I have responsibilities to the forum as well as to my productions. Helping out at the mailing party, house managing, and making connections to the other AD/SM’s are small ways to help out the festival as a whole. I’m going to try to keep working this aspect of the job, since my first instinct is usually to stay in my comfort zone, and NOT to volunteer! Maybe working with lots of people will force me to be a little more selfless.

- Ariel Francoeur, Assistant Director/Stage Manager for Potato Girl and The Things She Kept
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For more info and tickets go to our website; http://www.lookingglasstheatrenyc.com/
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Monday, May 18, 2009

SPRING FORUM 2009- PRODUCTION BLOGS (The 1st of a series..)

FORUM BLOGS

SPRING 2009 WRITER/DIRECTOR FORUM
A semi-annual festival of new works featuring women playwrights and directors
JUNE 4 -28



Here is the first in our series of blogs about our upcoming Forum:

NOTES FROM WEEK ONE, June 4-7
Without by Laura Rohrman, directed by Melody Erfani
Featuring Michelle Burns, Joey Faranda & Matt Turzilli

All the Pretty Girls by Pia Wilson, directed by Naima Warden
Featuring Judianny Compres, Megan Doss, Megumi Haggerty, Brit Lower & Allison Ungar

It has been a fast and furious process so far! Saturday was our first stumble-through rehearsal in the theatre as well as the first day for the actors to be off-book. It was rough, but a lot of work was done and being in the space was a huge help. It takes very talented actors to keep up with the short time span we have. Joey and Michelle have great chemistry onstage which makes my job so much easier. We worked on their kiss the other day and I was never so thrilled as when my AD Karen Pobicki said that it made her want to go home and kiss her man like that. This is my first time working with an AD/SM that is completely on top of her game and it has made my life much easier. Tonight my goal is do a few runs of the show without stopping and hopefully with no one calling for line.
-Melody Efrani, Director of Without

Working on the Week 1 shows is a really exciting process to be involved in. The best part about it is getting to experience the different ways that both casts and directors work. It's so interesting to watch the play develop from a table reading to a fully-staged production. As the actors develop their characters, the cast and crew are developing a strong bond and some great friendships. I'm really thrilled to be working with such talented, creative people!
-Karen Pobicki, Assistant Director/Stage Manager for Without and All the Pretty Girls

For more info and tickets go to our website: www.lookingglasstheatrenyc.com

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