The Angel Play opens FRIDAY!

3-14-12

Discovering Divinity

Notes from Artistic Director, Justine Lambert

Watching The Angel Play evolve over the last year  I am impressed by the journey.  During the many readings and discussions I have had the honor to be a part of, many aspects of the play have been examined.

Many of them par for the course: relationship, character arc, plot development etc. Bella Poyton (Playwright) and Amanda Thompson (Director) were always aware of what was needed and they were “on it”.  These questions and discussions were invigorating and imaginative.  Seeking new answers to old questions and finding the unique way it all works out in this story by this author with this director … a wonderful journey.

Now that we are in the home stretch (The Angel Play opens FRIDAY!) I’ve been reminded of the truly unique challenge this play poses.  Over the last three weeks, I have seen the director, cast and crew interpret divinity.  Such an exciting creative pickle!  Lighting and sound play a huge part, set and costume are important too.  Acting is key.  I think they’ve done something special. Created a bit of magic, a “trick of the light” both literally and figuratively.  I won’t say it’s a guarantee.  You, the audience, have to be there with them, ready to take the journey, ready to believe in something different.  Sometimes it’s funny and we laugh at how odd and different things seem.  Then if we’re really with them the production takes us to a place where we see something other than the simple humans and set that’s in front of us and are transported to the other.

At the talkback on Friday night after the opening night with the artists, I have a question or two to ask.  I bet you will have many. Hope to see you there!

Justine Lambert

Artistic Director 

Looking Glass Theatre - www.lookingglasstheatrenyc.com 

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Notes from Justine: Winter 2011 Writer/Director Forum

Notes from Justine Winter 2011 Writer/Director Forum Rehearsals

WEEK 1 – DECEMBER 1-4: A Time and Place for Everything

What a great time I had on Monday, November 14 observing Forum Week 1 rehearsals!  Each of these shows is about a very specific and very different place and time.  It’s a rare treat to see inspiration coming from these unusual settings.  Each setting (detailed below) creates a world that has its own rules and imperatives.  The clarity of these backdrops helps each story being told to hold us captive and keep us questioning as the plot points are revealed

THE GOLDEN TICKET

Written by Jennifer Barclay, Directed by Anais Koivisto

Featuring: Kati Rae Cowardin, Joey Lozada & Thami Moscovici

Set in the not too distant future, The Golden Ticket is about a contest to receive an experience once common but now rare and precious, an uncertain daughter with a mom desperate to give something of her own youth to her child, and a daughter seemingly uncertain of the value of anything…as teens tend to be.

GARDEN OF ASHES

Written by Jan O’Connor, Directed by Estefania Fadul                  

Featuring: Cindy de la Cruz & David Harrell

Oscar, a record keeper for the "cremains" of thousands of unclaimed dead in a large city, is visited by a young woman looking for her long lost love.  An office filled with records, books, organization and…remains- lost remains, unclaimed humanity.  Who could be so uncared for they were not even claimed?  Or was it the lost who choose not to care?

Pedestrian Casualty: Bronx, USA

By Nina Mansfield, Directed by Christina Neubrand     

Featuring: Manny De La Cruz, Shannon Harris, Alexandra Hiotakis, Keenen Jones, Darla Juniper, Josh Mahaffey, Norma Perez-Hernandez & Austin Young

A school teacher.  A student.  A car crash.  The Bronx; high school, teachers who care, students who don’t, or is it the other way around?  Does anyone care?  In fact it’s possible they all care.  Sometimes caring isn’t enough and what’s broken doesn’t get fixed, just more broken.

This is a very strong threesome of plays.  Original ideas told clearly and with sympathy to the human problems at the center of complicated situations.  The three formidable ladies at the helm of these plays have ideas and a clear understanding of the material they are working with.  I am excited to see these plays blossom into full production.

Extra thanks go to this week’s Assistant Directors/Stage Managers Francesca Galbo and Taylor Reynolds for being such a great part of our discussions and helping create smooth transitions throughout the night!  Also what a great treat to have Lighting Designer Ryan Metzler attend the same rehearsals as I did.  Why didn’t we think of that earlier…? Perhaps this could be the beginning of a beautiful policy…

WEEK 2 – DECEMBER 8-11: Strange and Stranger

Watching Week Two’s rehearsals on Monday 11/21 I was struck by all the many many ways humans can be strange, weird, unusual, odd.  There’s flat-out insanity of course, there’s awkwardness that just might be normal but might be quite quirky and there’s the inherent strangeness of lying.  People are so bizarre when they know they aren’t telling the truth aren’t they?  Most of the time we don’t know what is making them act so odd but as an audience we are let into their internal machinations and can enjoy the weirdness.  Of course these three plays also have stories and situations to go along with their odd inhabitants.

‘FRAILTY THY NAME IS WOMAN’

Based on the works of William Shakespeare,

Adapted & Directed by Katherine Sommer

Featuring: James Bascomb, Samantha Cains, Kevin Hoffman,

Lilli Stein & Nick Zappetti

This is an exciting mash-up of two great plays by the Bard.  When you put together Ophelia and Lady Macbeth clearly the theme is madness.  It’s fun to see these two ladies take their journeys through sanity and out the other side together.  What do they have in common?  More important in my mind was the question what do these two women need from each other?  Wouldn’t it be a different world if Lady M. could advise Ophelia?  Could the Lady learn to keep herself together if she had the presence of the fair Ophelia to shore her up?  Although it’s a pair of tragedies the result is surprisingly fun.

THURSDAY MORNING

Written by Elizabeth Swearingen, Directed by Jessy Grossman                     

Featuring: Daniel Blatman, Olivia Boyle & Lesley Noyes

Sweet young love is here.  Or is it?  Um, that’s always the problem at the beginning isn’t it?  Is this real?  Are these feelings going to last?  Does he/she REALLY LIKE ME???  Some of the most eternal questions of life are present in this slice of life.  They may not be the meaning of life or even the answer to why the sky is blue but we’ve all been there and we feel the urgency and importance of that sweet moment keenly with the two young people breaking their fast together for the first time.

Azaleas

Written by Erin Leigh Steiner, Directed by Laura Hirschberg            

Featuring: Rory Kulz & Chanel Thomas

What happens when the one you love is no longer the one you trust?  This is about murder!  Whodunnit?  He said/she said. She says she doesn’t remember and he says it was her… but why? And they love each other so they are going to stick together whatever may come.  But, still, why?  Why would they kill him?  What is the real reason for the tension in this moment?  How could it not be the dead body!?  People can be weird and sometimes the dead body is not the real skeleton in the closet.  What are they really upset about?  Could it be their relationship?  And what are they going to tell the police?

I loved Assistant Director/Stage Manager Caroline Angell’s summation of the evening; An evening of Love and Murder!  Perfect.  I really enjoyed getting to know her through our discussions after each play!

WEEK 3 – DECEMBER 15-18: Brief but Not Slight

This Monday, November 28, I observed the final week of this December Forum.  There are four plays in this one yet the evening stays well below two hours.  Clearly they are short.  Yet while not lengthy these plays are not insubstantial, they address issues of guilt (lots of guilt), loss, betrayal, and the human need for contact.

THE STAKEOUT

Written by K. Alexa Mavromatis, Directed by Sarah Simmons

Featuring: Kiley Rothweiler & Anna Drezen

In this piece we see two young girls watching someone.  Over the course of the play we will discover who he is.  We also see the girls’ relationship develop as they learn things about each other they may or may not have known but are only now coming to understand.  Will they find the courage to approach this mystery man?  Should they?

FRIENDS

Written by Karin Diann Williams, Directed by Karyn DeYoung    

Featuring: Nathalie Frederick & Kea Trevett

Here again we have two young girls but these two are not friends.  It’s even hard to understand why they are together.  They are different.  One of them is a bit strange but then what teenager isn’t a bit strange?  In the end they are reaching for something.  It might be human connection.  It might be a bit of magic in their lives.  Whatever it is I think they need it.  I hope they find it.

He Says His Name Is John

By Laura Rohrman, Directed by Ashley Scoles

Featuring: Hazen Cuyler, Josiah Laubenstein & Caitlin Morris

A dream apartment seems to be the central issue in this play.  What is wrong with this amazing apartment??  But there may be other things wrong here.  Is this couple as happy as they seem?  What has happened to her job?  And then there’s this guy John, their real estate agent.  But the new neighbor looks just like him…

SIDEWALK CRACKS

By Brit Hawkins, Directed by Gretchen Ferris 

Featuring: Kate Dickinson, Billy Roberts and Jodi Savitz

Sometimes you know the difference between right and wrong.  And then you do it anyway.  A classic love triangle.  He is cheating on her, with her.  It’s simple and so is the play but then it’s complicated.  Real human situations are always complicated and so is the play.  On the verge of a stereotype the play sidesteps that completely by being real and making us care.  These people are trying.  They are imperfect and needy and it leads to a mess that can’t be easily swept under the rug.  I particularly enjoy the depiction of a mistress who is not the obvious other woman.  She is her own woman, not an extension of anyone else.

There is a lot of exciting work here.  It doesn’t hang together in any obvious way but when I spoke with the Assistant Directors/Stage Managers Gina Femia and Kitty Lindsey about how they viewed the evening as a whole they had enlightening viewpoints to share.  Gina said that these plays are all in some way about people wanting to be seen and accepted for who they are and Kitty added that in these plays we see people confronting their insecurities and facing the qualities in themselves they are least proud of.  I thank them both for their wonderful insights throughout the evening!

This Forum is going to be an exciting and enlightening trio of evenings!

Justine Lambert
Artistic Director
Looking Glass Theatre - http://www.lookingglasstheatrenyc.com/

Read my recent director to director interview - http://www.2amtheatre.com/2011/08/24/spotlight-meet-justine-lambert-director/

Follow us on Twitter! http://twitter.com/LookingGlassNYC
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THE GOLDEN TICKET

Written byJennifer Barclay, Directed by Anais Koivisto

Featuring: Kati Rae Cowardin, Joey Lozada & Thami Moscovici 

The Season is Upon Us- Fall Season HIGHLIGHTS from Artistic Director Justine Lambert

The Season is Upon Us!

You might think that since our first full production is opening in October we’re having a calm start to the season, but Fall is already barreling full steam ahead.  We’ve been so busy, in fact, with getting our programs up and running that I have barely had time to look up from the computer and appreciate the artists I’m working with.  Here’s a quick rundown of what to look for this season!

Our Fall acting internship is well under way with 12 wonderfully talented performers working in the office, taking improvisation classes with our Fall acting instructor Naima Moffet-Warden and getting ready to perform in our Writer/Director Forum in December.  The rising stars are: Joey Lozada, Olivia Boyle, Samantha Cains, Cindy de la Cruz, Nathalie Frederick, Josiah Laubenstein, Norma Perez-Hernandez, Kiley Rothweiler, Nathaniel Ryan, Jodi Savitz, Chanel Thomas and Nick Zappetti.

Dragonslayer -- A free developmental reading this Saturday, September 24 at 7 p.m.  I co-wrote this with long-standing collaborator Judy Sheehan.  This is the first time I’ve had the honor of co-authoring a piece with this consummate professional.  One of the original co-creators of Tony-N-Tina’s Wedding, Judy has had eight shows (I hope I counted them all!) produced here at Looking Glass.  I’m so excited to go on this journey as we create an entire world and one amazing character together.

Calamity Jane Battles the Horrible Hoopsnakes -- Already cast with rehearsals underway, this family show is a piece of laughter and childhood.  Inspired by our own Jacquelyn Honeybourne’s love of the traditional American Tall Tales, E. J.C. Calvert has written an original story about the plucky heroine as a young girl faced with an unusual and hilarious situation involving scaredy snakes- wait, I meant scary snakes of course… or did I? ;-) Runs October 15 through November 20.

Co-Op Theatre East Residency-- We are so excited by our new partnership with this amazing company.  They will be an artist in residence for the entire season starting this Fall with bi-monthly workshops and Radio COTE, their 2nd annual radio play festival on November 15.

Staged Readings of New Works – The 5 shorts for $5 bucks series returns! Title TBA. On Wednesday, October 26, we’ll be holding the third of our exciting new short play reading series.  Based on the set of the current show (in this case it will be Calamity Jane, so who knows??!), so far the themes have been “Submerged” and “Naked.”  With an open call for artists to create “on theme,” we’ve already had amazing and inspired work come out of this series from veterans and rookies alike.  I am truly excited about the potential for growth and new projects this program is bringing us.

Big Benefit Party- Our Fall benefit party is set for Tuesday, November 8 from 6-10pm.  That’s right, Election Day!  So put it in your calendar; after you rock the vote, come rock with us.  Planning is well underway; our interns have begun soliciting (and getting!) exciting raffle prizes and musical guests are banging down the doors (well…they’re emailing) for the opportunity to perform.  It’s going to be a blast!

theater IN ASYLUM’s Frankenstein – This exciting Fall space grant recipient presents their re-imaging of Mary Shelley’s classic November 15-19.  I enjoyed reading this proposal so much, and I can’t wait to see this show happen in our space.

Winter 2011 Writer/Director Forum -- Of course, this half of our season will culminate with our semi-annual festival of new works in December.  We have a very full Forum with ten talented directors currently in the process of choosing their projects and getting geared up for the big meeting in early October.  We have a perfect mix of experienced artists and new blood this go round and I am not exaggerating when I say this one promises to be one of the best. With planning started earlier than ever and the ideas flowing so smoothly already, I can’t believe I have to wait until December to see these shows!

-----------
Justine Lambert
Artistic Director
Looking Glass Theatre - www.lookingglasstheatrenyc.com

Read my recent director to director interview - http://www.2amtheatre.com/2011/08/24/spotlight-meet-justine-lambert-director/

Follow us on Twitter! http://twitter.com/LookingGlassNYC
Find us on Facebook! http://www.facebook.com/LookingGlassTheatreNYC
Follow our blog! http://lookingglasstheatre.blogspot.com/

Notes From Justine- Spring 2011 Writer/Director Forum, Week 4

Notes from Justine

The Queens of Comedy - Forum Rehearsal 6/6/11

Finally three shows that go together…sort of. Well, they don’t have all that much in common actually but they are all definitely comedy! They run the gamut of comic styles from full on realism to flat out absurdity!

GIN JOINT

Written by Gabrielle Fox, directed by Eva Gabrielle Schelbaum

Featuring Shea Davies & Gus Zucco

Of all the gin joints in all the towns, in all the world, she walks into his...in a wedding dress

This is a realistic comedy all about a silly situation. It may be shorter than your average sitcom (clocks in at about 12 minutes) but it certainly runs much deeper than one. The delightfully wacky setup involves a woman stuck in her sister’s wedding gown and the only person who can help her is a stranger. He’s an actor about to star in a production of Casablanca and that great film is a touch point helping to add the deeper notes to this charming ditty about possibilities that have passed us by while new ones open up.

WHO IS DAN SCHILLER?

Written by Bella Poynton, directed by Ariel Francoeur

Featuring Petra Denison, Jesse Kane-Hartnett, Dave Herigstad, Sarah Klein, Dan Lovley, Claire Nasuti, David O'Hara & Tom Simonetti

Please turn off all electric devices, make sure that your tray tables are in the upright and locked positions, and hold onto to your sanity...

This play is just absurd. In a good way! In fact one of my only notes was to go ahead and make it even more absurd! It’s about what the best absurd plays are all about: a sane person lost in an insane world. It begins on an airplane and may secretly be about the insanity we all feel when we are heading thousands of miles above ground in a tin can. The story actually follows a man’s descent into hell as he discovers first that his best friend is dead and is then accused of his murder. But plot isn’t really the point here. So what is? Sanity vs. Insanity? Style & Comedy? The way we all feel when faced with the shocking illogical nature of humanity? I’m reeling from "Weinergate" as I write! Life is absurd and I for one need a laugh!

SIGN ME

Written by Naima Moffet-Warden and Allison Ungar, directed by Naima Moffet-Warden

Featuring Richard McDonald, Margaret Odette, Ryan-Ashleigh Reid & Biniam Z. Tekola

When Adrian's business and love test her destiny, all she'll be screaming is... JUST GIVE ME A SIGN!

Not absurdist but not fully realistic either, Sign Me is about a young lady’s search for love or success or preferably both. It’s also about another kind of absurdity. The absurdity of trying to find a mate and doing it through the internet. But in this day and age, how else?? Being developed specifically for this Forum, the play is being written (and re-written) with the cast improvising to help develop it as we speak. The tight cast of four plays multiple characters of many astrological signs. They are experimenting with extreme and exciting physical choices/characteristics and the ride is funny, fun and sexy. If I wasn’t married I’d consider “sending out a sign” for love too.

Huge thanks go to the Assistant Directors/Stage Managers: Rebecca Cunningham & Estefania Fadul for making the evening go smoothly and listening patiently through my many absurd and/or realistic ramblings!

Week Four of the Spring 2011 Writer/Director Forum opens on June 23. I can’t wait! This evening of three has something for everyone and after all who doesn’t like comedy?

Justine Lambert
Founding Artistic Director

Notes From Justine- Spring 2011 Writer/Director Forum, Week 3

Notes from Justine
Forum Rehearsal 5/31/11 -More Relationships and So Much More

I ended last week talking about how Assistant Director/Stage Manager Karyn DeYoung saw both of the Week Two plays as relationship plays…behold this week starts off with every artist in the room referring to the first two of these wonderfully diverse offerings as “relationship plays!”

THE TRACKS ARE ELECTRIFIED
Written by Jane Miller, directed by Abigail Strange
Featuring Tyler Gattoni & Bethany McNamara

How long are you willing to wait?

This show is about a young couple on a subway platform. First there’s banter. They seem happy, cute, if quirky. Then Rosy wants to play a game to pass the time, Max is reluctant. Why, we wonder? Does he dislike games, silliness? Is he easily embarrassed? There doesn’t seem to be anyone else waiting for the train at this time of night. Why not indulge her? When he finally gives in to her wheedling it turns out the game is a little scary. It also turns out her motives weren’t so simple. She knows her boyfriend’s issues and has chosen this moment to bring them up. This seemingly happy relationship may be in peril just as the train finally begins to pull into the station…

BACK IN THE BOX
Written by Mary Flanagan, directed by Gretchen Ferris
Featuring Rob Getz, Elyssa Mersdorf & Emilio Paul Tirado

When you arrive at a fork in the road, take it. ~ Yogi Berra

Back In the Box starts with a couple and a complication. This play takes us farther into the workings of a dysfunctional relationship. Helen is clearly unhappy. We don’t always know why as we watch her journey towards escape. What is she escaping from? Is it spousal abuse or cruelty of some kind? Not precisely. The issues here are subtle. There is indeed something wrong- too much of a good thing, perhaps. Love turned to need, dependence turned to obsession. I find myself hoping Helen’s journey will be a smooth one after the blackout.

FIRE THIEF
Written and directed by Laura Hirschberg
Featuring Emily Daly, Arielle Hader, Timothy Mele & Kevin Russo.

Prometheus brings the spark of inspiration to man. Is it worth it? Come play with fire.

I am inspired and delighted to discover that our talented director Laura Hirschberg is also an impressive talent as a playwright! Fire Thief is full of complex ideas that unfold with wit and clarity.

What a difference. And yet I’d be lying if I didn’t acknowledge the importance of relationships here too. Of course in Fire Thief they are relationships between gods. The fire Prometheus steals is the fire of inspiration. He steals it to bestow it upon his own favorite creation: mankind. Of course in doing so he incurs the wrath of the Gods but more importantly be betrays two people (well, gods) he loves. His journey of self discovery includes allowing an unusual relationship to grow; the one between himself and his creation. If he can love us mere mortals for more than just our finer traits (such as theatre I’d venture) perhaps he can survive what’s coming to him.

Big thanks to Assistant Directors/Stage Managers Jessy Grossman and Sarah Outhwaite. They were a delight to work with. Full of insight and ideas, they were an integral part of our discussion throughout the evening.

Week Three of the Spring 2011 Writer/Director Forum opens on June 16. I’m excited to see this thought provoking, wit filled grouping of three with all the finishing touches!

Justine Lambert
Founding Artistic Director

Notes From Justine- Spring 2011 Writer/Director Forum, Week 1

Notes from Justine
Forum Rehearsal 5/16/11

And they’re off! My first observation for the Spring 2011 Writer/Director Forum last night was an exciting start to the process that will culminate in the Forum Awards on Monday June 27th. Three very different plays; (although two have a suicide theme…) these are extremely strong offerings with experienced Forum artists represented in each and every project.

First I observed IN THE CHANGELING,written by Maiya Pendleton, directed by Melody Erfani, featuring Heather Burgher, Lash Dooley, Andrew Dunn, Andrew Gelles, Sarah Miles, Kathleen O'Neal, Alzie Rejouis, Marianne Riera & Adam Tyrer. The tagline for this show is “In high school it is all about the drama...a reimagining of the classic by Thomas Middleton and William Rowley.”

Another classic translated to a High School setting. So different from Forum Producer Aliza Shane’s Misanthrope (Forum Winter ’06) yet similar. Why do artists want to set universal stories in High School? Because it’s a universal experience here in the US and one that brought out the worst in many of our lives. High School was miserable…so it’s the perfect place for drama! This compelling script follows the “It girl” and her machinations to get what she wants. She doesn’t mean to hurt anyone but then she doesn’t really mind when she does either. Will she get what’s coming to her? What is coming to her anyway? We sympathize, even while feeling appalled at the effects of her plotting. After all, who doesn’t “want it all”… but at what cost?

Next up was RISK,written by Yasmine Rana, directed by Ashley Scoles, featuring Brooke Hills & Jonny Schroeder. This plays description is (like the play) poetic and intriguing “Two lovers must decide whether to take the risk to love or become engulfed in the flames of hate.”

Spoiler alert; below I will give away a major surprise that comes out in the first 3rd of the play. Yasmine’s intense drama is about something none of us can imagine. What if you were about to go blow yourself up, with others…? How would you or anyone handle it? We understand that the emotional questions usually left unasked would not sit quiet at such a moment. But would you get the answer desired? Can the questioned party possibly know how to answer under such circumstances? Beautiful language examines an ugly situation in this challenging and powerful drama.

Finally I observed DOUBLE CROSS written by Annie Berke, directed by Katherine Sommer, featuring Benjamin K. Glaser, George Hutchinson, Stacy Ann Strang & Hannah Tamminen. The witty description of this play is: “Charles and Samantha are a happily married couple until the daily crossword drives a 5-letter word for "triangular tool" between them.”
Here we have a comedy of character. This married couple fights. They’re not even nice to each other. They seem to be trying to improve their behavior but they end up hurting each other. Even their innocent bystander friends get hit by the emotional shrapnel flying around. Clearly they shouldn’t be married to each other. Or should they? The surprises lie in the people and what they truly need from one another. The result? Comedy!

The charming and ever helpful Assistant Directors/Stage Managers, Anais Koivisto and Mary Trotter were both engaged and engaging in our discussions. I thank them for their work and insight all night long!

Week One of the Spring 2011 Writer/Director Forum opens on June 2. I can’t wait to see these plays in performance. It’s going to be a thought provoking and highly entertaining night!

Justine Lambert
Founding Artistic Director

Notes from Justine-MORE Three By the Sea!

Notes from Justine -Three By the Sea

Having seen Three By the Sea two times now in performance, I’ve realized that the gestalt of this combination of stories is an ideal introduction to theatre for children. There are so many things they are being exposed to here: it’s like sneaking vegetables into the dessert mix! While they watch the charming stories they learn to suspend disbelief and see fabric (or umbrellas, or balloons) as water, to decipher intent through behavior, to appreciate the difference an atmosphere can have on how you interpret the individual elements of a play and how to appreciate the rhythm and flow in storytelling, not to mention simply being introduced to the great theatrical tradition of story theatre.

I really find myself enjoying each play within the play for different reasons. Working backwards, I’ll start at the end:

Foghorn Franny is a crowd pleaser. With its modern characters and sharp clear tone, it gets laughs easily while supporting the most complex story and message of the trio. The oldest audience members get a lot out of this one (both adults and tweens) because the subplot about bullying is clearly and dramatically explored and resolved. Everyone in the audience is held tight in the grips of the plot and even the youngest audience members maintain the hush required for the few (I think it’s actually two) brief moments of reflection. Coming last in the running order it is well chosen in its modern language and depiction as it leaves the audience feeling happy and thoroughly entertained at the end.

The second piece, Coyote’s Moon, is ideal for the central role in this production in part due to its simplicity. There’s not a lot of story here and so we are able to just sit back and enjoy the puppetry, lighting, water (umbrella) ballet, and characterizations. We love Lil’ Rabbit, we fear Coyote (a little), we enjoy the lights and the trickery…and …we’re done!

Appropriately, while our audience’s minds are freshest they are presented with the most complex piece. We are asked to immerse ourselves in the world, the otherness of the mythical Ireland of old. We meet characters from the town of Gollerus and enjoy their quirkiness while sensing what a stranger in their midst might experience in such a self-contained environment. The lilting lyrical language pulls us along in the story while the theatrical elements, such as mermaid costume, Shadow Puppet plays, and ongoing bits of business from comic cap-snatching to ominous umbrella-opening, devised by super-creative director Julia Martin, help keep our young audience engaged throughout.

Enjoy the spinach brownies!

Justine Lambert
Founding Artistic Director

Notes from Justine- Three By The Sea

Notes from Justine -Three By the Sea

Three By the Sea is opening this Saturday, March 5th at noon. I will be there with bells on with my family! I have been lucky enough to be a fly on the wall at three rehearsals for this complex, elegant bit of story theatre. This show manages to be both lyrical and fast paced. A study in the use of complexity in the service of simplicity this production uses multiple theatrical elements to tell its three enchanting stories. The stories are simple and sweet, funny and timeless.

“Paddy and the Mermaid” tells of an ordinary man who traps a mermaid. He learns that some things can’t be held by force, even if they are loved; perhaps especially if they are loved.

“Coyote’s Moon” is a classic tale of brains over brawn. In this case the brains belong to one sweet little bunny and the brawn to a coyote in a cowboy hat!

“Foghorn Franny” is a take on the idea that something seen as a weakness or even a fault can turn out to be a heroic strength. This story also addresses the timely theme of teasing and exclusion ever so gently and resolves with the teaser realizing the error of her ways.

This trio of tales comes across with clarity and a touch of the poetic and is wonderfully served by puppetry, music, lighting effects, shadow puppets, clever costuming, a beautiful set and even dancing umbrellas!

Speaking of those umbrellas, it’s worth mentioning that each play involves a body of water and each body of water is uniquely staged. As often seems to happen, the creativity and imagination involved in children’s theatre brings out the best (and hardest work!) in the creative team and cast. This group is no exception. Under the direction of Julia Martin this team has been in overdrive to realize the imaginings of playwright Donna Latham!

Justine Lambert
Founding Artistic Director

LOOKING GLASS PERFORMANCE SPACE GRANT- Deadline Extended to Jan 17!

ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT
MARCH / APRIL 2011

Deadline Extended to January 17, 2011!

Seeking proposals from theatre companies. Non-union productions only.

Grantee(s) will receive performance space (anytime between March 10-April 10, 2011) including one technical rehearsal, and marketing and publicity (text provided by you) to our email press and audience lists and a listing or link on our web site. Additional rehearsal time will be made available at a deep discount when available.

Prime-time profit sharing:
75% of ticket sales go to Looking Glass, 25% to Grant Recipient.

Grantee shows will be credited as COMPANY NAME, in conjunction with The Looking Glass Space Grant Program, presents SHOW TITLE.

DEADLINE: Applications accepted now through Monday, January 17 at 6pm.

Proposals must be submitted via email to Founding Artistic Director Justine Lambert at LookGlassJustine@aol.com as one (1) attachment. Companies are encouraged to make contact (via the above email address) in advance indicating their intent to apply and/or with any questions. Applicants will be contacted with the final decision no later than Friday, January 21, 2011.

What you provide: A production(s) that reflects our mission statement.

OUR MISSION-Reflecting life on the stage with truth and theatricality while exploring a female vision. See web site for more!
http://www.lookingglasstheatrenyc.com

Bottom line-Either playwright or director must be female (both is great, but not required). Cast must be half or more female (gender bending casts are accepted to meet this requirement). Female subject matter not required.

NOTE: We are a non union house. No project with AEA members can be considered.

1) The Proposal-A one-page description of the project including story, concept, and tone. Include running time. Include technical requirements and keep them MINIMAL, shows will be sharing the space.
2) Creative Team-List of all creative team members already on board with short bios. (Director or Playwright must already be chosen)
3) Space Request- Your ideal opening date and performance dates requested between March 10-April 10, 2011 (Maximum of 12 performances)
4) Marketing Description-A description of how you will attract a crowd!
5) Company Mission-Your mission statement and a description of activities along with current staff list.

Please put the above sections in their stated order and include the number and name of each section at the top of that section. Recommended length about four pages.

Scripts are not required but may be requested after initial proposal review.

Looking Glass Theatre is located at 422 West 57th Street (btwn 9th/10th Aves).
212-307-9467

------------------------
Justine Lambert, Founding Artistic Director
Jenn Boehm, Co-Artistic Director/Managing Director

ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT!

November 17, 2010
ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT-January/February, 2011

Seeking proposals from theatre companies.

Grantee(s) will receive performance space (anytime between January 5-January 16, 2011 OR February 14-February 27, 2011) including one technical rehearsal, and marketing and publicity (text provided by you) to our email press and audience lists and a listing or link on our web site.
For JANUARY: Non Prime Profit sharing! 60% of ticket sales go to Looking Glass, 40% to Grant Recipient.

For FEBRUARY: Prime time Profit sharing! 75% of ticket sales go to Looking Glass, 25% to Grant Recipient.

Grantee shows will be credited as COMPANY NAME, in conjunction with The Looking Glass Space Grant Program, presents SHOW TITLE

Additional rehearsal time will be made available at a deep discount when available.

DEADLINE: Applications accepted now through Monday, December 6 at 6pm.
NOTE: Early submission encouraged for January applicants. Will be considered upon submission.

Proposals must be submitted via email to Artistic Director Justine Lambert at LookGlassJustine@aol.com as one (1) attachment. Companies are encouraged to make contact (via the above email address) in advance indicating their intent to apply and/or with any questions. Applicants will be contacted with the final decision no later than Friday, December, 10, 2010.

What you provide: A production(s) that reflects our mission statement.

OUR MISSION-Reflecting life on the stage with truth and theatricality while exploring a female vision. See web site for more! http://www.lookingglasstheatrenyc.com/

Bottom line-Either playwright or director must be female (both is great but not required). Cast must be half or more female (gender bending casts are accepted to meet this requirement). Female subject matter not required. We are a non union house. No project with AEA members can be considered.

1) The Proposal-A one-page description of the project including story, concept, and tone. Include running time. Include technical requirements and keep them MINIMAL, shows will be sharing the space.
2) Creative Team-List of all creative team members already on board with short bios. (Director or Playwright must already be chosen)
3) Space Request- Your ideal opening date and performance dates requested between January 5-January 16, 2011 OR February 14-February 27, 2011 (Maximum of 8 performances)
4) Marketing Description-A description of how you will attract a crowd!
5) Company Mission-Your mission statement and a description of activities along with current staff list.

Please put the above sections in their stated order and include the number and name of each section at the top of that section. Recommended length about four pages.

Scripts are not required but may be requested after initial proposal review.

Looking Glass Theatre is located at 422 West 57th Street (btwn 9th/10th Aves). 212-307-9467

Justine Lambert, Founding Artistic Director
Jenn Boehm, Co-Artistic Director/Managing Director

ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT-November, 2010

August 31, 2010
ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT-November, 2010

Seeking proposals from theatre companies.

Grantee(s) will receive performance space (anytime between November 3-November 21, 2010) including one technical rehearsal, and marketing and publicity (text provided by you) to our email press and audience lists and a listing or link on our web site.

Prime time Profit sharing!
80% of ticket sales go to Looking Glass with 20% going to the Grant Recipient.
Grantee shows will be credited as COMPANY NAME, in conjunction with The Looking Glass Space Grant Program, presents SHOW TITLE

Additional rehearsal time will be made available at a deep discount when available.

DEADLINE: Applications accepted beginning now through Monday, September 13 at 6pm.
Final Deadline: Monday, September 13 at 6pm.

Proposals must be submitted via email to Artistic Director Justine Lambert at LookGlassJustine@aol.com
as one (1) attachment.
Companies are encouraged to make contact (via the above email address) in advance indicating their intent to apply and/or with any questions.
Applicants will be contacted with the final decision no later than Friday, September, 17, 2010.

What you provide: A production(s) that reflects our mission statement.

OUR MISSION-Reflecting life on the stage with truth and theatricality while exploring a female vision. See web site for more! http://www.lookingglasstheatrenyc.com

Bottom line-Either playwright or director must be female (both is great but not required). Cast must be half or more female (gender bending casts are accepted to meet this requirement). Female subject matter not required. We are a non union house. No project with AEA members can be considered.

1) The Proposal-A one-page description of the project including story, concept, and tone. Include running time. Include technical requirements and keep them MINIMAL, shows will be sharing the space.

2) Creative Team-List of all creative team members already on board with short bios. (Director or Playwright must already be chosen)

3) Space Request- Your ideal opening date and performance dates requested between 3-November 21, 2010 (Maximum of 12 performances).s

4) Marketing Description-A description of how you will attract a crowd!

5) Company Mission-Your mission statement and a description of activities along with current staff list.
Please put the above sections in their stated order and include the number and name of each section at the top of that section. Recommended length about four pages.

Scripts are not required but may be requested after initial proposal review.

Looking Glass Theatre is located at 422 West 57th Street (btwn 9th/10th Aves).
212-307-9467 http://www.lookingglasstheatrenyc.com/
Justine Lambert, Founding Artistic Director
Jenn Boehm, Co-Artistic Director/Managing Director

Notes from Justine- Forum Rehearsal 5/26/10

Notes from Justine
Forum Rehearsal 5/26/10

The second week of the Writer/Director Forum could hardly be more different from week one. This evening consisting of two completely different pieces was a blast to watch in stumble-through mode last night. Technically both plays were surprisingly far along, with some costumes in place and a clear beginning of design elements such as light cues and sound already happening.

First I watched Do These Jeans Make My Butt Look Massive? by Donna Latham, directed by Jenn Womack, featuring Leigh Ann Heidelberg & Jenn Remke, a charming 10-minute slice of life. I almost feel that if I say very much about our post-rehearsal discussion I’ll give something away. Jenn, Morgan, Taryn and I had a lively discussion about relationship, acting choices and even music usage. Suffice it to say that we all understood each other and rehearsals for the next couple weeks should be lots of fun!

Next up was Othello by William Shakespeare, adapted and directed by Melody Erfani, featuring Charles Brice, Xiomara Cintron, Kay Capasso, Julia Falamas, Brandon Ferraro, Keith Hendershot, Amie Lytle, Sarah Miles, Cara Sanders & Yoko. Wow, this thing was really getting into shape with some super cool, post-apocalyptic costumes and tight choreography/concept blocking. Fun! That Shakespeare sure could cook up a hot mess, and this version maintains the super intense plot at less than half the original length. Oh, did I mention, Iago is a woman? Just in case the original wasn’t passionate enough for you. Isn’t that casting just so Looking Glass? Love it!

The two Assistant Directors Taryn Kimel and Morgan Anne Zipf were super helpful and they seemed fully tuned into both processes. I’m looking forward to getting to know their work better.

Can’t wait to see what brews in the next two weeks. This exciting evening opens on June 10!

Justine Lambert
Founding Artistic Director



--------------------------------------------------------------------------------

Notes from Justine- Forum Rehearsal 5/19/10

es from Justine
Forum Rehearsal 5/19/10

Had a blast observing Week 1 Forum rehearsal last night. I have to say that the policy of observing two weeks before opening has been working out so well. These plays are in great shape and the next two weeks promise to be super productive!

First up was Behind the Scene by Lenore Blumenfeld, directed by McKenna Dabbs, featuring Joey Faranda, Lindsey Freeman, Ashley Kuske, Kate Mickere and Craig Peterson. This snappy 10-minute comedy was so sharp, so snappy that McKenna and I actually discussed slowing it down. I suggested that the comedy could be enhanced by deepening the emotional reality of some of the characters. A number of possibilities presented themselves. Which character has the most invested? I think McKenna’s choice may surprise you. It wasn’t set in stone yet so I may be surprised, too!

Next I watched Snapshot by Jennifer Barclay, directed by Alex Mallory, featuring Andrew Breving and Rachel Pfennigwerth. What a cool concept, and these actors really get a fun workout/challenge. The discussion with Alex afterwards about how to insure that the play was clear enough to be rewarding for the audience was rewarding in itself as I felt we understood each other and were on the same page about what’s needed in the next two weeks to make this little gem shine.

Third was Buried by Kate Marks, directed by Dana Dobreva, featuring Kiersten Armstrong, Frank Leone, Carolina Ravassa and Scott Raven T. This discussion, like the play itself was the most complex. Kate Marks always challenges and this play on the subject of subway buskers about to be violently ousted from their domain is no exception. Dana’s vision is clear and strong. I’m so excited to see it come to life.

Huge thanks to Laura Brienza the Assistant Director for the whole evening for sitting in with me and being a rock star for all three shows!

This was a very satisfying evening of theatre. As always, when I advise directors what I mostly want is more of their directorial voice. The play is best served when that voice comes through loud and clear. I can’t wait to see the finished product on June 3!

Justine Lambert
Founding Artistic Director, Looking Glass Theatre

LOOKING GLASS PERFORMANCE SPACE GRANT!

May 14, 2010

ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT-July/August, 2010
Seeking proposals from theatre companies.
Grantee(s) will receive performance space (anytime between July 19-August 29, 2010) including one technical rehearsal, and marketing and publicity (text provided by you) to our email press and audience lists and a listing or link on our web site. Additional rehearsal time will be made available at a deep discount when available.
Special Summer profit sharing! - 70% of ticket sales go to Looking Glass; 30% go to Grant Recipient.

Grantee shows will be credited as COMPANY NAME, in conjunction with The Looking Glass Space Grant Program, presents SHOW TITLE

DEADLINE: Applications accepted beginning now through Monday, May 31 at 6pm
Final Deadline: Monday, May 31 at 6pm.

NOTE: Companies requesting performance time in JULY may submit early and request early decision.

Proposals must be submitted via email to Artistic Director Justine Lambert at LookGlassJustine@aol.com as one (1) attachment.

Companies are encouraged to make contact (via the above email address) in advance indicating their intent to apply and/or with any questions.

Applicants will be contacted with the final decision no later than Thursday, June 3, 2010.

What you provide: A production(s) that reflects our mission statement.
OUR MISSION - Reflecting life on the stage with truth and theatricality while exploring a female vision. See web site for more! http://www.lookingglasstheatrenyc.com
Bottom line - Either playwright or director must be female (both is great but not required). Cast must be half or more female (gender bending casts are accepted to meet this requirement). Female subject matter not required. We are a non union house. No project with AEA members can be considered.

SUBMISSION REQUIREMENTS: Please put these sections in their stated order and include the number and name of each section at the top of that section. Recommended length about four pages.

1) The Proposal - A one-page description of the project including story, concept, and tone. Include running time. Include technical requirements and keep them MINIMAL. Shows will be sharing performance and storage space.

2) Creative Team - List of all creative team members already on board with short bios. (Director or Playwright must already be chosen.)

3) Space Request - Your ideal opening date and performance dates requested between July 19-August 29, 2010 (maximum of 12 performances).
4) Marketing Description - A description of how you will attract a crowd!

5) Company Mission & Staff - Your mission statement, including a description of company activities and current staff list.
Scripts are not required but may be requested after initial proposal review.

Please note: Looking Glass Theatre is in an old and historic, but not air conditioned building. Shows should be appropriate for summer (light costumes, etc.)

Looking Glass Theatre is located at 422 West 57th Street (btwn 9th/10th Aves).
212-307-9467 ** www.lookingglasstheatrenyc.com

Justine Lambert, Founding Artistic Director
Jenn Boehm, Co-Artistic Director/Managing Director

Follow us on Twitter! http://twitter.com/LookingGlassNYC
Find us on Facebook! http://www.facebook.com/TheLookingGlassTheatre?ref=ts
Follow our blog! http://lookingglasstheatre.blogspot.com/

Season’s Greetings from Justine Lambert and Looking Glass Theatre!

Season’s Greetings from Justine Lambert and Looking Glass Theatre!

My most recently received email was to our house managers about how to handle the SOLD OUT crowds for our final week of the Winter 2009 Writer/Director Forum. Luxury Problem!

This (among other joyous) success doesn’t mean we don’t need your support. Please give. I’m sure you’ve heard the pleas and perhaps are feeling the crunch yourself, but if you value theatre, creative freedom and what we do for our lovely lady (and men!) artists, just be as generous as you are able. Any amount from $1 to $1 Million will truly help! Click here to contribute – or mail your contribution to the address below. Remember, all contributions are tax-deductible!

Now back to the fun stuff. We are going into the next decade with a lot on our plate. Our first Mainstage show is actually an old one, March 13 – April 25, we’re bringing back Ready, Set, Story! If you’ve read my past blogs or letters, you’ll know already how much I adore this children’s play. It’s simply a perfect combination of fun and learning (think Leapster on stage, with mythology). Rose and Emily (director/author) couldn’t BE a better team!

Next up is 70 Million Tons….of icky sticky grimy muck! We theatre folk can’t help loving a good self referential comedy about theatre. This one’s about how companies like ours can fight the good fight and go green! Sounds like a heavy subject, perhaps but this is comedy through and through. Can a pretentious big wig save the world with a scrappy cast and crew in under an hour…..or else….God’s bringin’ it on, floodwise, AGAIN! We love that it’s funny and we love the opportunity to learn about how we and perhaps you our audience can be a part of the solution. The show is scheduled April 5 -28. Look for talkbacks and surround events on re-using, environmental conservation and, of course, green theatre practices.

Speaking of events we’ve got two great ones coming up in February 2010. We’re holding our first-ever clothing swap, so save all your “gotta get this outta my closets” and get ready to find new wardrobe treasure. AND we’re planning a V-Day event to support this amazing cause and give Rose Ginsberg the chance to create more beautiful theatre for a cause that she cares about deeply.
OMG, I’m super excited that we’re having long term Artistic Associate Jennifer Goodlander bring in her latest project. As yet untitled, it’s a Balinese Puppet show based on a Woman Warrior myth! So cool. And so cool to get our beloved Jennifer back once again. This is a very limited presentation in March so get tickets as soon as they become available.

Our next benefit (always a great party) will be Tuesday, April 13 and I have to mention our amazing upcoming Space Grant, wait, make that Grants - plural. We received such strong applications this round that we had to choose THREE winners! You will be seeing their information on our web site soon.

Hey, don’t forget there will be another incredible gathering of women directors/playwrights for the Spring 2010 Writer/Director Forum, June 3-27.

DARN IT (stronger expletive deleted). I don’t have space to brag about our just-ending fall season! Please go look at our blog our Facebook page and our web site – or follow us on Twitter – to read about it, because I’m crazy proud of Aliza, Shari, Rose, Emily, and Kenneth, to name but a few. And see pictures of the Benefit (amazingly organized by Megumi - AKA rock star) and the Winter FORUM!
Enjoy magical theatre dreams this holiday season,
Justine
Justine Lambert
Artistic Director
Looking Glass Theatre
422 West 57th Street
New York, NY 10019
http://lookingglasstheatrenyc.com/

THE LOOKING GLASS PERFORMANCE SPACE GRANT-Feb.-March, 2010

ANNOUNCING THE LOOKING GLASS PERFORMANCE SPACE GRANT-Feb.-March, 2010

Seeking proposals from theatre companies!
Grantee(s) will receive performance space (anytime between February 17-March 6, 2010) including one technical rehearsal, and marketing and publicity (text provided by you) to our email press and audience lists and a listing or link on our website.

85% of ticket sales go to Looking Glass with 15% going to the Grant Recipient.
Grantee shows will be credited as COMPANY NAME, in conjunction with The Looking Glass Space Grant Program, presents SHOW TITLE

Additional rehearsal time will be made available at a deep discount when available.
DEADLINE: Applications accepted beginning Monday, December 14, 2009 through Monday, December 21 at 6pm.
Final Deadline Monday, December 21 at 6pm.

Proposals must be submitted via email to Artistic Director Justine Lambert at LookGlassJustine@aol.com as one (1) attachment. Companies are encouraged to make contact (via the above email address) in advance indicating their intent to apply and/or with any questions.

Applicants will be contacted with the final decision no later than Wednesday, December 23, 2009.

What you provide: A production(s) that reflects our mission statement.
OUR MISSION-Reflecting life on the stage with truth and theatricality while exploring a female vision. See web site for more! http://www.lookingglasstheatrenyc.com

Bottom line-Either playwright or director must be female (both is great but not required). Cast must be half or more female (for classics gender bending casts are accepted to meet this requirement). Female subject matter not required.

1) The Proposal-A one page description of the project including story, concept, and tone. Include running time. Include technical requirements and keep them MINIMAL, shows will be sharing the space.

2) Creative Team-List of all creative team members already on board with short bios. (Director or Playwright must already be chosen)

3) Space Request- Your ideal opening date and performance dates requested between February 17-March 6, 2010 (Maximum of 12 performances).

4) Marketing Description-A description of how you will attract a crowd!

5) Company Mission-Your mission statement and a description of activities along with current staff list.

Please put the above sections in their stated order and include the number and name of each section at the top of that section. Recommended length about 4 pages. Scripts are not required but may be requested after initial proposal review.

Please note: The Looking Glass Theatre is in an old and historic, but drafty building. Shows should be appropriate for winter (warm costumes, etc.)

The Looking Glass Theatre is located at 422 West 57th Street (btwn 9th/10th Aves). 212-307-9467 www.lookingglasstheatrenyc.com

Justine Lambert, Artistic Director
Jenn Boehm, Managing Director